NEETHAANE EN PONVASANTHAM

NEETHAANE EN PONVASANTHAM

Theatre : Aluva Madhurya
Showtime & Date : 11.30am, 16-12-2012
Status : 40%

Gautham Vasudev Menon, after a big hit romantic movie Vinnaithaandi Varuvaaya is back with his new movie Neethane En Ponvasantham - an Ilayaraja Musical with Jiiva and Samantha in lead roles. Whether the movie entertains us??? Before watching the movie, the first & only thing you have to forget is VINNAITHAANDI VARUVAAYA.

Story
Its all about Varun(Jiiva) & Nithya(Samantha) - their love & breakups at various stages of life. Whether they unite or not - watch it on screen.

Performances
Jiiva was good in a well written role with depth of a lover boy with possessive nature as a school kid, a happy-go-easy loverboy in college life, a loving son who recoginises his duties to family & ultimately as a LOVER. He performed what the character demanded. Samantha was cute in all stages of life lookwise. But when comes to acting, she needs more homework especially in such a movie where female character having equal importance, may be more than that of hero. Missed a golden chance in my opinion. Still the school episode and second half and climax episode will make an impact because of the well developed and well written character by Gautham. Santhanam - once the movie starts and first song will make you feel whether he is the hero. Yes to an extent he's also a hero in the movie. His Vinnaithaandi Varuvaaya spoof episode in opening second half sequence was superb. As usual, his oneliners will make us laugh throughout in scenes he appear. Ravi Raghavendra repeated his role in Kadhalil Sodhappuvadhu Eppadi with a dull tone. Even the school friends of Samantha was the same in Kadhalil Sodhappuvathu Eppadi. Rest of the characters were fine in limited roles. Once again GANESH rocks with his trademark dialogue.

Songs & BGM
Songs were a big letdown except Saayndhu Saayndhu. Rest of the songs looked totally unfit for the movie. BGM was okay.  A R Rehman or Harris Jeyaraj could have taken movie to another level with both songs and BGM.

If this is your first impression, then you are thoroughly mistaken. The songs in the movie are like slow poison which will haunt you like anything once you watch the movie. Saayndhu Saayndhu, Mudhal Murai, Satru Munbu - Ilaiyaraja is a genius. BGM was superb. The best BGM was Saayndhu Saayndhu BGM used at parts, especially with climax.


Technical
Cinematography lacked the usual sharpness found in Gautham Menon movies. Good visuals are also not there much. Editing by Anthony was fine in first half, but second half could have been better. Art direction was good as usual by Rajeevan. Costumes by Nalini as usual rocked bringing apt colour tones with the background at the sametime making characters look realistic.

Script & Direction
Gautham Vasudeva Menon once again presents a romantic movie this time his trademark autobiographical narration was missing throughout the movie. Story by Venkat Somasundharam was a wafer thin one. Screenplay by Venkat & Gautham had enough moments. Somewhere we feel like Venkat wanted this one to be a routine tamil flick where as Gautham wanted to be his trademark film. Felt like this conflict spoiled many sequences. Dialogues as usual rocked especially "Melbourne friend". Email idea was extreme brilliance of script writer. Direction lacked a 100% dedication in second half I think. This can be called as 100% musical love story. Climax was awesome

On the whole a good love story

Verdict : Good
BO Verdict : Hit (low production cost as this one has no foreign location & street dancers, a pure Tamilnadu flick)

The theatre experience of this movie purely lies on the hands of audience watching with you. You may find many scenes as touching while others may find boring. Vice versa too. Their reactions may spoil your viewing experience too. So don't conclude your verdict with public reaction.

INTHA MAATHIRI PADAMELLAM PAATHA UDANE PUDIKKAATHU, PAAKKA PAAKKA THAAN PUDIKKUM

RUN BABY RUN

RUN BABBY RUN

Theatre : TVM Sreekumar

Showtime & Date : 2.30PM, 29-08-2012
Status : Balcony FULL, FC 60%
Joshiy is back with another ONAM release RUN BABBY RUN,after Kunchacko Boban starrer SEVENES last year, this time with Mohanlal after the hit movie CHRISTIAN BROTHERS - scripted by Sachi of Sachi-Sethu team. Whether movie entertains us, LETS SEE

Story
Venu(Mohanlal) - a stinger cameraman of Reuters returns to Kerala as part of a case in court. Accidently he met with Renuka(Amala Paul) who was his ex-lover who were seperated of the similar reason we saw in the case of Mohanlal & Priyamani in recent Mohanlal flick Grandmaster. Both were assigned to work on a single case which makes their life keep on running.

Performances
Mohanlal as Venu was safe in his hands. Though the flashback episode was bad, soon after the flashback episode, Mohanlal delivered a fine performance with cool oneliners. Amala Paul was okay in her role Renuka. At parts she was good. BIJUMENON as Rishi is the one who stole most of the smart scenes in the movie with well written dialogues. Superb dialogue delivery in many scenes. Vijayaraghavan, Saikumar, Siddhique, Shammi Thilakan, Anil Murali, Aparna did their part.

Ameer Niyaz makes his appearance in this movie too as Abu after SEVENES, good role though a small role.

Songs & BGM
Only the song Aattumanal sung by Mohanlal was there in the movie. Makers please dont air this song video in TV channels as it'll give only negative publicity. BGM was ok  only, lacks freshness.

Technical
R D Rajasekhar's camera lacks the magic which the theme demanded. Editing was fine at parts. Art direction was superb. Action by Anal Arasu & Pazhaniraj lacks freshness.

Script & Direction
Script by Sachi(Sachi-Sethu team) had a great plot to be a super racy entertainer. But the screenplay couldn't rise to the level of the plot. Compromise is the word which killed the party I think. Unwanted romance track, songs, a heroine, hero praising by other characters, a predictable flashback..... If these things were avoided, then it would have been a better one. The first 45 minutes were just oke with a predictable flasback & romance. After that the movie took a turn to a racy thriller with witty oneliners by Mohanlal & Bijumenon. 15 min after interval the plot became great, but screenplay became more & more predictable with a very much predictable climax episode. Villain teams were not at all convincing for the plot. Movie focuses on News TV channel wars than any other surrounding things which makes things look bore at parts. Sachi - please watch the movie KO

Direction by Joshiy was incnsistent. Direction lacked the usual Joshiy signature. The whole movie starts 20 min before interval only. To a large extent, it is this master craftman's talent which made the climax portions this engaging.

On the whole, a uninteresting 50 min & an engaging 20+ minutes firsthalf & a good set of moments alone in an average predictable climax

Verdict : Tad above Average
BO Verdict :  HIT, at max

After watching the movie, we may feel like the apt title for the movie was the previous one - CAMERAMAN VENUVINOPPAM RENUKA

SPANISH MASALA

SPANISH MASALA

Theatre : TVM Kripa
Showtime & Date : 11.15am, 22-01-2012
Status : Housefull

What we'll expect from a Lal Jose-Benny P Nayarambalam combo with Dileep, Kunchacko Boban & Biju Menon coming together with Spain as backdrop - good comedies, nice twists, extraordinary visuals in songs & scenes - altogether an entertainer. But the outing from the team SPANISH MASALA is a total disaster.

Story
Story begins with childhood days of Kamela(debutant Austrian model Daniela Zacherl) whose father is leaving back to his homeland Spain after his service as brand ambassdor in India. She learn Malayalam from her Aaya(Vinayaprasad). Then camera focuses to childhood days of Charlie(Dileep) who is not at all interested in learning especially English language. After 16 years, due to financial problems, Charlie now a mimicry artist decided to stay back in Spain after his stage programme for a job without a job visa. He gets the job of a chef in an Indian restaurant. Kamela impressed by his Dosa asks Menon(Biju Menon), the manager to buy that. Considering the health matters, he appoints Charlie as chef in her house. Kamela was in love with Rahul(Kunchacko Boban) whom she believes was killed by her father. After a series of incidents, impressed by his tatics her father decided Charlie as his son-in-law. Menon asks Charlie to bring his relatives there to take a decision regarding this. By the time, Kamela's father dies. Then comes back Rahul to the picture. I'm sure what's the rest of the story you have in mind. The very same thing without any changes or surprises can be viewed in this.

Performances
Dileep as Charlie, to an extent was a tailor-made role for him but missed the Dileep in his old movies in which he used to score a lot in similar scenes. Except some 2-3 comedy scenes and 2-3 scenes in second half, script wasted him in such a dull role. Kunchacko Boban as Rahul had a good entry in Interval sequence but the script had nothing much to offer him except two scenes with Dileep. His performance in climax sequence was Superb. LalJose & Benny P Nayarambalam should be blamed for not utilising BijuMenon in such an underdeveloped character with same style dialogue delivery throughout the movie. Nelson as Pappan had a nice debut chance but except his cliched drunken guy(in which he scores in TV shows) scene in second half, nothing evoked much laughter. Daniela Zacherl as Kamela was a cliched absent minded lover girl. Vinayaprasad was OK but Kalaranjini was bore. Spanish actors had nothing to do other than to drink wine all the time & smile for what lead actors are doing. Archana Kavi was awesome in her cameo(because she had no dialogues or any scenes to perform). Nivin Pauly had the looks, why LalJose didn't use him???

Songs
Vidyasagar always created magic with LalJose. But here that magic was missing. Arezhuthiyavo is the pick of the lot. Song picturisation tto lacked the LalJose touch. BGM was too loud at times & senti music used was heard from Doordarshan times itself.

Technical
Lokanathan, the cinematographer was sleeping giving camera to Spanish technicians I think. The trademark LalJose visuals were there in few scenes only - the sunrise scene during titles, Interval scene & Dileep-Chackochan scene in second half. Editor can't help this movie more than this is what I can say. Art direction was just okay.

Script & Direction
Benny P Nayarambalam known for presenting silly storylines with good comedies & screenplay flow miserably fails here after PothenVava & Lollypop. Plot eventhough silly had enough elements to make it a suspense thriller in second half was converted to a cliched malayalam movie which we have seen 100 times before, to be exact the early career movies of Shankar,Mammootty & Mohanlal. Predictable to the core was one problem & the characterisation of Dileep, Chackochan & BijuMenon were limited by the screenplay. Dialogues were good at parts especially Dileep's dialogue in second half, Chackochan's dialogue in climax & Biju Menon's dialogue regarding his old lover. Benny, please concentrate on script suiting today's audience or future audience but not for audience of 80s movie. Masala was there only on movie title only, but spoiled second half whcih would have been a great Masala Entertainer with twists & action. Childhood school days of Charlie's character makes us remember the Salt n Pepper first scene in school.

LalJose announced the movie & went for a tour to Spain I think. This is not what audience expected from the most promising(We were wrong) director in the new league. After Arabikkadha, your love towards movie seems to be in low level. Elsamma enna Aankutty though an average movie had nice moments with greeneries as background & nice performances. This one had nothing to take a look for second time except the following scenes
1. Dileep's 2-3 comedy scenes
2. Kunchacko Boban in Climax
3. Nelson as drunken guy
4. Interval

I don't think that today's Malayalee audience will watch this movie for the above said scenes alone just because it's a movie by LALJOSE. Please concentrate on script next time. All the very best for DIAMOND NECKLACE

Don't know why Spain was chosen as backdrop for this storyline which is as old as Himalayas for Malayalam/Indian Cinema.

Verdict : Average, at max because of those scenes
BO Verdict : Flop, considering the huge budget

Once Casanova gets released on 26th Jan & if it works well with audience, Spanish Masala will be a washout at BOX OFFICE.

Wait for a DVD release as this one had nothing worth for a theatre watch.